Plants, mushrooms, snails... sessile or slow-moving organisms create potent toxins for defense and, in the case of cone snails, to subdue prey. Noah Whiteman explores the ways in which we humans use natural toxins for drug development, and this latest article includes a couple of my illustrations. Enjoy! (click the image below to read the article)
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Wrasses and parrotfish (family Labridae) are among the most diverse lineages of reef fishes on earth. A new study in Science Advances, led by Chase Brownstein, sheds light on the explosion of evolutionary innovation and diversification that happened 20 million years ago and led to the reef fish diversity we see today.
The authors asked me to create paintings to represent different groups of wrasses and parrotfish for their figures. Painting reef fish is always so rewarding because I get to use some of the more vibrant colors on my palette! Hello, turquoise and magenta. Read the full article here: https://www.science.org/doi/epdf/10.1126/sciadv.adu6149 A new paper by Sonal Singhal and her colleagues uses the example of night lizard (Xantusia) ecomorphs to look at different approaches to understanding speciation. My role as a science illustrator was to paint the two species, paying close attention to their morphological differences, and their distinct habitats: rock crevices and decaying plant matter. The paintings were all created using watercolor and a little white gouache. Creating the backgrounds was a ton of fun and very different from my usual process. Most of my paintings are detailed and involve tiny brushes. For these backgrounds, I let the paint and water do their magic without much plan in mind. Using a ton of water, some choice colors, and a little bit of salt, the first layer of paint showed the contours of the rocks and leaves. I was then able to go in and add the leaf veins and shadows to complete the background paintings. To read more about this research: https://academic.oup.com/evolinnean/article/3/1/kzae024/7777004
New research by Ranjan Muthukrishnan and his colleagues explores how species adapt to climate change by changing their phenology, behavior, and/or range. The authors worked with Life Science Studios to create an illustration that would demonstrate a species using different ecological responses to mitigate the impacts of a warming climate. Check out the publication in Global Change Biology. First, we needed to pick a species! We chose a lizard in a rocky, mountainous landscape where climate change has made its usual perch on a rock too hot. The lizard may adapt by altering its behavior (seeking shade), changing its phenology (reproducing during cooler times of the year), shifting its range (to higher, cooler elevations), or a combination of all three responses. The Illustration ProcessWith all of our clients, the first step is brainstorming. There are many ways to illustrate a concept, so I like to sketch out a number of ideas to present to a client. Here is the sketch sheet I sent to the authors for this project. As you can see, there were a bunch of different ways I was thinking about depicting the concept of ecological changes to climate change. We ultimately settled on a more artistic vision of a lizard in a full landscape.
The latest research from Alison Gould and Hannah Osland at Temple University is all about symbiotic bioluminescent bacteria strains that colonize the light organs of Siphamia tubifer fish. For this figure, I worked closely with the scientists to understand the structure of the light organ in the larval and adult fish, and created both watercolor illustrations of the fish as well as vector illustrations of the light organs and bacteria colonization. You can read their paper in Trends in Microbiology here: Gould and Osland 2025 Look at all those teeny tiny little glowy bacteria!
A couple of months ago, I was shocked and disappointed to see an AI-generated image as the cover of a scientific journal. I posted on X (formerly Twitter) about how I felt and the journal quickly removed the image and asked me to write an article about why journals and scientists should not use AI images in their publications. I argue that using AI science illustrations is troublesome for the scientific community as inaccurate images degrade the quality and rigor of the scientific literature. It is also unethical and harmful to artists as AI is trained on our work without our consent or compensation.
You can read the article here: Why Scientific Journals Should Ban AI-Generated Images Chase Brownstein and colleages at Yale have just published research in Current Biology about deep sea anglerfish. This group of fish has the unique trait of sexual parasitism, whereby males are much smaller than females and attach themselves to her. The researchers demonstrate a connection between the evolution of sexual parasitism and radiation into the deep sea environment. I painted a number of deep sea anglerfishes, frogfishes, batfishes, and others for this paper. It was a big challenge because the frogfishes are very camouflaged and have tons of color and pattern complexity and variation. For the deep sea species, reference photos are often very limited or are of specimens in poor health. Despite the challenges, this was such a fun project to do. The fish are so weird and interesting! I quickly discovered that watercolor doesn't get quite black enough, so many of the fish are painted in gouache, which was fun to play with.
2021, like 2020, had us continuing to hunker down and try to stay safe through this pandemic. Between projects, I spent a lot of time wandering outside with my family here in the Pacific Northwest. It was a year of growth for Life Science Studios in many ways. I had the chance to work with a lot of new clients from all over the world and create illustrations about everything from fly brains to disease transmission. Every project was rewarding and a wonderful learning experience for me. Many of my projects from this past year have yet to be published, so I can't wait to share them with you when they come out in 2022! The mushroom shop also grew this year as I expanded to selling mugs wholesale in a number of small shops in Montreal and Oregon. I also added a few new designs and hope to add more next year. The illustration business isn't the only thing that is grew in 2021... I have been busy growing a new human as well! Our little girl is due in March and we can't wait to meet her. I will be spending January and February wrapping up existing projects and then going on maternity leave. I will be back to taking on new projects and clients in July 2022. Wishing you and your families a safe and happy new year!
My favorite podcast, Journaling with Nature, asked me if I would be interested in being interviewed about science illustration. It was such a fun experience talking with Bethan Burton about nature in my childhood, my experience leaving academia and finding a career in science illustration, and how I go about collaborating with scientists to create figures and illustrations that help communicate their research.
Some of the fun stuff we talk about: how growing up in a tropical rainforest sparked my love of biology, how much fun it has been to teach my daughter about the wildlife in her temperate rainforest surroundings (mostly slugs), and, of course, how I got hooked on mushroom hunting. We also explore the importance of communication when creating scientific figures and how creating an illustration is much like solving a puzzle. I thoroughly enjoyed talking with Bethan and I hope you enjoy listening to our conversation. Check out the link to listen to the podcast and the Journaling with Nature website. www.journalingwithnature.com/podcasts/episode-67-julie-johnson |